You Can Feel Good is a jam in motion—part celebration, part sonic exhale. It starts simple: a groove, a pulse, a spark of melody. But slowly, deliberately, it climbs. Anchored by a soaring electric guitar lead, the track stretches out, expanding like a breath held just a second longer than expected.

This is instrumental storytelling through tone and melody. Inspired in part by the transcendent final jam of Phish’s Harry Hood, it builds motif by motif until it crests—a wave of sound crashing into that perfect, unspoken moment where everything just feels right.

It’s feel-good music in the most literal sense. Not flashy, not frantic—just a rising tide of sound that lifts you with it.